Kraftwerk 2025: A Look Back at How Kraftwerk Pioneered Electronic Music Innovation

With the recent Kraftwerk show at Coachella I thought I would talk about them from the perspective of somebody who can bridge you back a bit to talk about what an enormous legacy they had. I remember that 70s/80s era and I remember hearing them for the first time in the 80s.

So imagine you’re back in the 70s. It’s a time of exuberance, bravado and swagger in music. It’s a time of Robert Plant, Donna Summer and Freddie Mercury. It’s a time of triple-necked guitars, wizard costumes and mind-altering substances. You’ve got these iconic performers and the showmanship is off the charts with raw talent. The songs are about love, sex, regret, hate and having a good time, and in other cases about political and social concerns.  A wonderful time for popular music and there are legendary things going on. 

But here comes Kraftwerk and what they do is a complete 180° versus everyone else.  They’re doing things that have zero in common with what’s going on in the big musical leagues.  Conventional showmanship with unbuttoned shirts and spectacular virtuoso moves?  No, they are mimicking mannequins and robots.  The singing?  Intentionally monotonous on many tracks. The album covers sometimes make them look like wax figures from a long time ago. They are way out of step with most of the rest of the time period.

Let’s talk about the music itself. The choice of instruments was something again that was usually way out of step.  Walls of guitar amplifiers and enormous drum sets?  Not quite. Huge horn sections or disco string orchestras? Nope. Kraftwerk famously used children’s toys like Speak and Spells and obscure gear.  But some of the vibe reminds me of the home organs of the 1950s-1960s.  By the 1980s these home organs were not the most stylish of instruments.  Home organs sounded like a relic of a generation who had retired.  Home organs were something that no one under the age of 50 wanted. Finally, Kraftwerk’s songs were about pocket calculators or bicycling in the Pyrenees.  Huh? So putting this all together, at the time listening to a Kraftwerk record was really different from listening to anything that was around.  I have to admit, at some times I wondered if some of their earlier music was made with tongue in cheek or as some kind of a joke. (I’m pretty sure that was my first reaction to one of their earlier LPs.) It doesn’t matter either way but again, that was different for the time.

Anyhow, the rest is history as they say. People were so struck by Kraftwerk that it ended up inspiring and influencing just an uncountable number of artists over the years.  Even today, one of my top listening albums for car drives is Computer World.  Given how fast music changes and technology changes, it’s extra surprising that this LP seems timeless and relevant. For me it’s still fresh and engaging so many years later. So hats off to you to Kraftwerk for going in a completely new direction and in a way as a brave move artistically.  Kraftwerk opened the door to so many music developments, and inspired so many artists (myself included). So thank you Kraftwerk.

Kraftwerk and me?

If I had to pick one of my songs that was the most like Kraftwerk, I’d pick one of my earliest releases. The song is Interplanetary Weather Report. It’s got that very mechanical Kraftwerk vibe. Also the topic, which is (ahem) a Weather Report, would be something that I imagined would be mundane some day. In a few hundred years when humanity had spread throughout the solar system, maybe people would tune into the Interplanetary Weather Report. What would that sound like? I also have a robot as a character in the song, which would fit right at home with Kraftwerk.

Post Script – I have to mention another musical group, Art of Noise, that came some time after Kraftwerk.  But in a similar way Art of Noise was a pivotal music group.  Once again Art of Noise just totally ripped up the playbook and created an LP that had never been heard before.  Art of Noise did this with sampling on the Fairlight while Kraftwerk did it (mostly) with synths (yes they later moved into samplers quite a bit). Anyway I would put Kraftwerk and Art of Noise down as two of some of the most influential electronic groups in earlier electronic music. Just like Kraftwerk, when you heard Art of Noise the first time there was just nothing to compare it to.

It’s a keeper – Telefunken TDA-1 Active Direct DI Box

Hey everyone, I’ve got a new video up. I’m taking a look at the Telefunken TDA-1 DI box. I gave it three tests: bass guitar, drum machine and even vocals. I love it and it’s definitely a keeper. #recordingstudio #bassguitar #housemusicproducer

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Free Elektron Monomachine Kit!

I was having a great chat with @warrenmusic on YouTube about the Elektron Monomachine. We were talking about my video below. I’m posting the Sysex file for the kit used at around 3:08 in the video. This kit can be used with the waveforms mentioned in the video (also freely available elsewhere). Load the kit into the Monomachine and place the S230 wave in the kit as shown. The other sine-width modulation waves should be placed as in the video. For example Wave S225 would need to be in the D06 slot. Once the kit is loaded and all the waves are set up, the Monomachine should then have the sound on Track 3. Enjoy!

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Reviving 90s Music: Headphones-Friendly Mix Out 1/15

Listen to a lot of music on headphones/ear buds? Me too. If you are on the go, exercising, or just walking around the kitchen, headphones are a great option. And I noticed some of those older tracks from the 90s are a little easier on the ears.

Back in the day the underground stuff often did not have all the modern sonic treatments. Today it is common to apply loads of limiting, intentional distortion, sonic carving and the rest. It’s not something I do in the beginning but a club track has to keep up the pace with the rest of the music out there. So either I will add some of that in at the end, or else the mastering engineer will be doing that (quite rightly) to make the track competitive.

One day I was out for a run and I was thinking about all this. I thought – hey why not try to bring back some of that underground headphones friendly vibe. Instead of piling things on, let’s try subtraction. So for this mix I took out all the drums and then redid the drums entirely. I did a lot of subtraction on vocals. And no mastering engineer on this one. The result is Let Go (Astramental Headphones Mix) and it’s headed your way 1/15/25. So I hope you enjoy this mix and let me know what you think. Should I add headphones mixes for my future tracks? Drop me a line and, as always, thanks for listening!

Let Go (Club Mix) – Out Now

New track featuring trance-inducing keys. As I was making this track I found myself getting lost in the keys. They just transported me to a headspace. What kind of genre is this? Well it reminds me of the dub techno stuff I used to hear in the mid to late 00’s shared by some of the great folks at the defunct Elektron Users forum. But this track is a little too active for your average dub techno. It’s also got my signature house vibe.

Put it all together and maybe it’s deep dub techno trance house. You heard it here first 🙂 Hope you get lost in the vibe as well. Enjoy.

Kick 3 software, beta release!

Checking out the pre-release and I’m sold!

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One-hour Deep House Mix

For your streaming enjoyment. I’ve recently posted a mix of some of my deeper, vibier tracks. This one covers both some very recent tracks as well as some of my classic tracks. Sit back and enjoy the grooves. I rarely post mixes so this is a rare one from me. Let me know if you enjoy it and would like me to post some more.

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Behind the scenes – I usually make tracks in an environment called Reaper. But for this one I got out my classic copy of Ableton Live. I got my set list together and then pulled all the tracks into Ableton. Then I started thinking about set tempo. I usually produce tracks in the 120-125 BPM range, but here I thought I would go for 120 BPM so the vibe would be a bit more laid back. Next up I worked on track transitions. Once I had everything the way I liked it, I bounced it all out for sharing.

Midnight Hearts on YouTube

For your streaming enjoyment. My latest deep house track is here. Midnight Hearts is dedicated to you late-night lovers everywhere.

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Out soon – Midnight Hearts!

I am so elated to share Midnight Hearts is coming out on June 26! Featuring the chillest deep house groove I’ve ever made at 120 bpm. Fast or slow, listen and decide for yourself! This track started out with an electric piano portion that was so tasty. I added a bass line that drew a lot on my bass guitar playing days. The vocal was a great addition, and my favorite is the harmony parts at the end. I almost didn’t have these but it just kind of came to me. It’s kind of like a harmony but also like an echo. You’ll know what I mean when you hear it. I also really like this vibe-y quiet part of vocals and electric piano that I put after the middle.

Of course, drums and this was coming along well for the most part. But there was a problem, the kick was a little off. I made some social media posts about this kick — it had a phasing issue. I thought I fixed it but… it always kept nagging me a little bit. Finally, late in the game, I was still messing it with so I got an even better kick that really shone. That meant some other adjustments which called for a drum reset. but it all turned out! Head to my Spotify playlist and follow so you’re all set on release day. Thanks so much for your support!

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#deephouse #housemusic #newmusic #summervibes

Sine-width modulation WAVs Available Here

Back in 2013 I was thinking about the synthesizer concept of pulse-width modulation. Synth lovers know this makes a unique pleasant sound out of the brash square wave. I thought about applying this idea to sine waves because I didn’t know what it would sound like and at the time I couldn’t find any examples. I made a video about it (see below). I’ve since learned that this concept is related to some other concepts that synth lovers know about. See the video’s comments for more info. If you’d like to use these WAV files, here they are for you to enjoy. You will find a ZIP file and the WAV files are in there. I can’t quite remember why I named the WAV files this way, but I was calculating something and it made sense at the time. One of them is a pure sine wave at 200 hertz and the rest have some alterations of the sine width but are also 200 hertz.

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I hope you enjoy these and that you make some music or some sound discoveries with them. If you’ve enjoyed these, feel free to drop me a comment on YouTube with any tunes, sound discoveries or thoughts. I used them in the Monomachine but they should work in just about any sampler or synth that loads waveforms. I consider them Public Domain for free usage. Here they are.

Also I’m a small-scale artist so if you’d like to support me, I would really appreciate it. Feel free to subscribe on YouTube or catch me on Spotify (top of the page). Thanks in advance for stopping by.